{"id":916,"date":"2016-03-20T12:03:10","date_gmt":"2016-03-20T11:03:10","guid":{"rendered":"http:\/\/www.wuestefilm.de\/?p=916"},"modified":"2016-04-08T17:42:56","modified_gmt":"2016-04-08T15:42:56","slug":"tatort-verbrannt-gewinnt-den-deutschen-fernsehkrimi-preis-2016","status":"publish","type":"post","link":"https:\/\/www.wuestefilm.de\/en\/tatort-verbrannt-gewinnt-den-deutschen-fernsehkrimi-preis-2016\/","title":{"rendered":"2016 German Television Crime Award for &#8220;TATORT \u2013 Verbrannt&#8221;"},"content":{"rendered":"<p>The jury\u2019s verdict: \u201cThe intelligent script by Stefan Kolditz and the careful direction by Thomas Stuber create \u2013 thanks also to the music \u2013 a touching, intense atmosphere that continues to grip the viewer even long after the film has ended. The cast, even down to minor characters, exudes an ambivalence that makes it so convincing. The policeman Mehmet Mutlu longing for the German homeland that he lost or the policewoman Maria Sombert who is almost torn apart by the courage to speak the truth and the fear of being ostracised. \u201c<br \/>\nPlease click <strong><a href=\"http:\/\/www.fernsehkrimifestival.de\/\" target=\"_blank\">here<\/a><\/strong> for further information.<br \/>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>The jury\u2019s verdict: \u201cThe intelligent script by Stefan Kolditz and the careful direction by Thomas Stuber create \u2013 thanks also&#8230; <a class=\"moretag\" href=\"https:\/\/www.wuestefilm.de\/en\/tatort-verbrannt-gewinnt-den-deutschen-fernsehkrimi-preis-2016\/\">&rarr; Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":850,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.wuestefilm.de\/en\/wp-json\/wp\/v2\/posts\/916"}],"collection":[{"href":"https:\/\/www.wuestefilm.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.wuestefilm.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.wuestefilm.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wuestefilm.de\/en\/wp-json\/wp\/v2\/comments?post=916"}],"version-history":[{"count":9,"href":"https:\/\/www.wuestefilm.de\/en\/wp-json\/wp\/v2\/posts\/916\/revisions"}],"predecessor-version":[{"id":1217,"href":"https:\/\/www.wuestefilm.de\/en\/wp-json\/wp\/v2\/posts\/916\/revisions\/1217"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.wuestefilm.de\/en\/wp-json\/wp\/v2\/media\/850"}],"wp:attachment":[{"href":"https:\/\/www.wuestefilm.de\/en\/wp-json\/wp\/v2\/media?parent=916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.wuestefilm.de\/en\/wp-json\/wp\/v2\/categories?post=916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.wuestefilm.de\/en\/wp-json\/wp\/v2\/tags?post=916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}